![]() ![]() Things are a little murky beyond that, with investigative drama Murder getting notices for its visual style, and The Code mentioned as a possibility. it is i n contention for next season.ĭick Wolf’s drama F.B.I., which has a series order at CBS, continues to get warm reception, along with Magnum P.I. and God Friended Me, which is an outlier for procedural-minded CBS but has been testing well. What also has been doing well is the final season of The Originals, which bodes well for the potential new The Vampire Diaries/The Originals universe show from Julie Plec centered around the character of Hope Mikaelson. The CW’s two reboots, Charmed and Roswell, continue to march through the pilot process, along with football drama Spencer (aka untitled April Blair), executive produced by Greg Berlanti, and In the Dark, about a blind woman and her dog. Mortician drama Playing Dead is also considered a possibility as is the Supernatural spinoff Wayward Sisters, whose backdoor pilot did well. That includes The Fix, The Mission, Staties and The Finest. With rookie cop drama-comedy The Rookie looking assured of a slot of the schedule, the competition among the slew of other law & order pilots ordered by the network this year increases. ![]() ![]() Here are some of the pilots that are making noise at the moment.ĪBC’s Nathan Fillion starrer The Rookie , which has a straight-to-series order, DJ Nash ensemble A Million Little Things, and the Eva Longoria-produced Grand Hotel, toplined by Demian Bichir and Roselyn Sanchez, continue to garner strong buzz, joined by suburban drama False Profits starring Bellamy Young and Vanessa Williams. While we are only two weeks away from the upfronts, information is still incomplete, with a number of high-profile pilots, like ABC’s Whiskey Cavalier, yet to be delivered. It's currently Warner Bros' biggest debut in 2018.As we enter the pilot screenings phase of pilot season, here is the latest installment of Deadline’s Pilot Panic 2018, which tracks buzz on broadcast pilots. ![]() The Meg, shown in China this summer, holds the record for the biggest US-China production in terms of income, with a global box office of $527.8 million. The awards, which celebrate an array of artistic and commercial films and the experienced or young artists that create them, impressed Mann.Ĭhinese actress Li Bingbing got the best actress award for her performance in The Meg, and she was also given the "Chinese-American film ambassador of the year" award. People are frightened in this time of turbulence, and we need more films that speak to the human heart that unites us all," Mann says. "I've spent half my life in China and half in the US, so I'm honored by this award that represents both worlds. "They are a much-needed joint celebration of the art of filmmaking and the need for both China and the United States to realize how much they depend on each other in this industry."ĭays after the Golden Angel Awards night on Oct 30 in Hollywood, business insiders are still talking about the star-studded event for the sake of diversity and cooperation that were regarded as key factors under the current trade situation between the two biggest economies.Īctor and producer Byron Mann, who won the "most breakthrough American award" for his role in the Dwayne Johnson blockbuster Skyscraper, recalls nearly 20 years of exemplary acting work on both sides of the Pacific. LOS ANGELES-"I have been to the Golden Angel Awards for the past several years and each year they get bigger and better," producer Larry Namer said at the awards ceremony, following glittering red-carpet arrivals. Chinese actress Li Bingbing (center) gets the best actress award at the Golden Angel Awards for her performance in The Meg, during the Chinese American Film and Television Festival in Los Angeles on Oct 30. ![]()
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